Between Earth and Sky: Fall Exhibitions at Kenyon’s Gund
Click image to read the CAN Journal article.
Installation view of Marie Watt: Tuning to the Sounds of the Skies. On view at The Gund at Kenyon College Fall 2025. Image by Luke Stettner.
“Slabs, Seams, Survival: Rose B. Simpson’s Symbiotic Claywork”
Presenter at University of Kansas History of Art Graduate Student Symposium “Symbiosis: Art and Ecologies in Global Perspectives,” November 8th, 2025.
Rose B. Simpson, Mother I, 2019. © Rose B. Simpson, courtesy of the artist, Jessica Silverman, San Francisco, Jack Shainman Gallery, New York and the Rennie Collection
Reviving the Rust Belt: Hannah Bates’s Aggregate
At the Sculpture Center in Cleveland, Ohio. April 2025
Click image to read the CAN Journal article.
Installation View of Aggregate.
Thaw, 2022 – 2025, bricks and rocks collected from Lake Erie, float glass), and Aggregate (2022 – 2025; cast aluminum, bronze, glass, plaster, cement, wood, rusted steel, bone, film photograph). Photo by Jacob Koestler
“Rose B. Simpson’s Strata: Conversation through Sculpture and Space”
Cleveland Art, September 2024, Issue 3
Click Image to read.
Strata (detail, installation view), 2024. Rose B. Simpson (Santa Clara Pueblo, b. 1983). Ceramic, foam, riveted aluminum, hardware, steel armature, pumice, concrete, and bronze; 792.5 x 152.4 cm. Courtesy of the artist and Jessica Silverman, San Francisco, and Jack Shainman Gallery, New York. © Rose B. Simpson. Photo: Kaitlin K. Walsh
About
Madalyn
Welcome to the art world of Madalyn Fox, a passionate art historian based in Cleveland, OH.
Madalyn is a community-engaged art historian Currently, she is a second-year MA student in the Art History and Museum Studies program and a Barbato Fellow. Her research interests center on North American Indigenous contemporary art and public engagement, with particular attention paid to issues of identity, temporality, and ecocriticism. In her free time, you’ll find her with her dog, Wilbur.
Madalyn Fox 